LUME Digital is a video and digital production company. Send the brief from wherever you are. We concept, build, and cut remotely, and put a camera on location when the idea needs one.
Selected work
Two reels, then the pieces. Product spots, immersive worlds built for a projection room, and long-form interviews.
What we make
Most projects use two or three of these at once. The same team concepts, shoots, builds, and edits, so nothing gets lost between a production company and a post house.
Ship us the product or share a folder of clips. Finished cuts come back in under 48 hours from the concept you approve, sized for every channel they run on. Most of this work comes from PR teams and agencies up against a launch date.
3D worlds in Blender and Unreal, product rebuilt at room scale, and visuals mapped to physical objects. Built to your venue's pixel map, previewed before it ships, and ready to load on any screen, wall, or LED canvas.
Multi-camera coverage planned against the run of show, so the camera is in position before the moment happens. We edit on site and send social cuts the same day. The full recap follows.
Concept, treatment, shoot, and edit, on location or on the stage that fits the idea. When a spot needs a projected world behind the talent, we build the visuals and run them live on set.
Multi-camera capture with a control-room workflow. Backdrops and graphics built per segment, per sponsor, or per guest. We bring the kit and crew to your office, venue, or whatever room you book, and cut the vertical clips from the same session.
Your archive is raw material. We recut it, upscale it, extend the shot that ends too soon, and put the product in a scene it was never filmed in. A beach, a runway, a 3D set. Each new version takes minutes, not a reshoot.
How it runs
You approve a direction before anyone picks up a camera or opens Blender. The ideas are part of the price.
An email, a shared folder, or a shipped product. A logo and a date is enough to get going.
We send back a few routes in your brand's look, or your client's. You choose one and we lock it.
In software, on location, through the AI pipeline, or a mix. Review links land in your inbox as it comes together.
Final files graded, captioned where needed, and sized for every placement on your list.
Where it gets made
Most projects never need a meeting in a room. Briefs come in by email, directions go out as boards, cuts go out as review links, and finals land cut for every platform.
3D worlds, projection content, motion, recuts, and the AI pipeline. Nothing to ship and nowhere to be. You review from your desk.
Events, podcasts, livestreams, and shoots happen at your venue or your client's. We scope the crew and kit the job needs in the quote.
When an idea needs a room built for it, our sister company runs a 360° projection stage at 393 Broadway in New York. See the stage.
FAQ
One paragraph works. So does a product in a box, a folder of old footage, or a brand book. The more references you send up front, the fewer rounds of notes later.
The clock starts once you approve a concept and we have the assets. The first cut lands inside 48 hours of that. When feedback on your side is quick, the whole job often fits inside 48 hours of the first email.
Usually, yes. Old shoots, event B-roll, and product clips can be recut, upscaled, extended, or composited into new scenes. Plenty of projects never need a new shoot.
No. Most work runs remotely: you send footage, assets, or the product, and cuts come back as review links. When a project needs a camera on site, the crew and travel are in the quote.
Yes. Real-time systems in TouchDesigner and Resolume can respond to sound, motion, and live moments during the event.
You or your client, fully. Every final file is cleared for commercial use, paid social included.
Price moves with three things: the format, how many deliverables, and the deadline. Your brief gets a line-item quote within a day.
Start a project
Tell us what you're making and the date it has to be live. Expect a reply within one business day.